I don't consider myself an expert, but I have learned over the years a lot of things that go into a good key. Granted, for a training video, nobody is expecting a simple explanation of technique to look like a big-budget type job. This did a little better in terms of education compared to some of the videos I've seen, but the resulting example key, and the main tutorial key, were still pretty poor. However, with internet access and more people learning and teaching basic vfx, I feel like a lot of the same information gets recycled over and over, without people really understanding why those choices are made to begin with.
Nice place to start for people who are learning about chroma keying. – Another tool for you use in your quest to make something great. Good chroma keying is a skill, and it will take a little practice, but the reward for your patience and experimentation can be quite liberating.
HOW TO USE DENOISER 3 WITH CHROMA KEY SOFTWARE
The lesson is broken up into 5 elements: space, the screen, lighting, the camera, and post production.īy considering your working space, using a quality screen, lighting it evenly, using a camera with as little compression as you can get, and finally using a good software keyer, you should be able to pull off a great key. Check it out after the jump.Īs usual, John Hess of Filmmaker IQ hosts this great video tutorial, this time on chroma key. Either way, once again, Filmmaker IQ lends us a very generous hand and walks us through 5 elements of chroma keying through a helpful tutorial video - shedding light on things we should consider before we put our subjects in front of that big green (or blue) screen. When I first heard about chroma keying, I had 2 thoughts in my head: "Chroma keying is as easy as getting some bright green fabric at a fabric shop," and "This process is so complicated I never want to try it." Well, I've learned that it's not difficult enough to shy completely away from, but it's not as simple as I first thought.
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